Xingu
"Yes, I do believe in God: Naijib, he's my grandfather." Nadia
Abstracts
"The flight of Indians inland, their massacre, and the reluctance of Jesuits to hire them on plantations, led the Portuguese to import African 'labor' from the 16th century onwards. The first Quilombo communities, clusters of 'brown slaves', emerged at the start of the 17th century. The Quilombos, chased to the extremities of Minas Gerais and Goiás, were nicknamed the 'Kalungas', derived from a pejorative African term that became a synonym of 'negro' in Portuguese.
The Indians who preceded them on these remote areas initially showed wariness towards them. Little by little, the pacifist attitude of the Black people, and evidence of their sharing a common enemy, became a source of complicity and spawned mixed-race descendants. In this way, the Kalungas created a self-sufficient society with no notion of individual land ownership and with a model based on ecological balance."
Extract from Zoé Zoé, Femmes du mondes, 2007, Éditions Gallimard
Works
Xingu, Brazil
Silver print turned sepia
36 x 23 cm
Xingu, Brazil
Gouache on paper
65 x 42 cm
Xingu, Brazil
Gouache on paper
42 x 66 cm
Xingu, Brazil
Gouache on paper
66 x 42 cm
Xingu, Brazil
Gouache enhanced silver print
30 x 24 cm
Xingu, Brazil
Gouache enhanced silver print
30 x 24 cm
Xingu, Brazil
Silver print turned sepia
62 x 90 cm
Xingu, Brazil
Gouache enhanced silver print
30 x 24 cm
Xingu, Brazil
Gouache enhanced silver print
20 x 30 cm
Xingu, Brazil
Gouache enhanced silver print
55.5 x 70 cm
Xingu, Brazil
Gouache enhanced contact sheet
30 x 24 cm
Xingu, Brazil
Gouache enhanced silver print
57 x 85 cm
Xingu, Brazil
Gouache enhanced silver print
24 x 30 cm
Maps
Gouache on paper
80 x 120 cm
Pencil on paper
46 x 37 cm
Making-of
Images by Eduardo Aguier